- 3/16/2016, 2:29pm, Quad outside of Lowe
- Objective: The only light given out here is natural sunlight coming from directly above Emily Low hall.
- Subjective: The light gives the ultimate feeling of summer. The sun is shining very brightly yet there are shadows being cast by the bare trees that create a contrast in the light. Overall, the feel is extremely calming and serene.
Photo Cred: https://www.pinterest.com/pin/437482551281673642/
Description: This is a picture of a statue found in a graveyard. I personally find both statues and graveyards to be very creepy and uncomfortable which is why I chose this picture. The light is cast on the statue’s face at an angle so the shadows that are cast make it look even creepier.
This photo was taken by me.
The theme is spooky and it fits this theme because it looks like it could be taken out of a spooky scene from a horror or Halloween film.
The lighting is white and bright like a space alien’s ship coming to abduct someone or that horridly spotless idea of the future that many films attempt to portray. The bright lighting depicted in the animated film Wall-E for inside the space ship where the lazy humans are is similar to this bright moonlight. The light is expansive causing a soft halo to surround it in the night sky. The brightness at night also is spooky because night is meant to be dark in the minds of many. This bright moonlight might peer into a window and wake people up like how the people were wakened up during the Light Riots. The light backlights the tree making it a shadowy silhouette. Moonlight has a history of spookiness with witches flying across it, cows jumping over it, and werewolf’s howling to it; this moonlit picture harkens back to this tradition with the light’s boldness and the silhouetted tree’s bareness. The white light and lingering halo of grey contrast with the night-time blackness like a mysterious power; this starkness and utter lack of an array of colors and stark would be enough to spook a child into hiding under the covers. For all a little child knows, this could be the eye of a huge monster coming to destroy it; and the power (high value) and abundance of this light makes it imposing. The dead, dark world that some might think exists in blackness comes back to life with the bright glow of the moon. However, it is not as alive as day; it is like a half-life or perhaps undead life. After all, in the total dark, one cannot see that the world does not look as alive as the day, but in partial light one can. Thus, the lighting in this picture is spooky as it is a sign that scary things might be out and since it makes things that look bright and alive during the day appear dead, creepy, and unnerving through the limited, bright, far-reaching, and contrasting with the dark surroundings white moonlight.
11 March 2016-3:41pm-Colonial Square East Dorm Security Booth and Desk
The sun shines through the window suddenly and illuminates details and causes shadows that weren’t there a moment ago.
The light makes the the window look musty and dirty; like a portal to an older time when windows aren’t clean as much. It gives a a bluish and greenish tint to the pages of my notebook like they are sick with some sort of deadly illness, and it causes many shadows that emphasize the edges of things like lighting a human face to point out wrinkles and age. Overall, the lighting gives a feeling of oldness and allows reflection on the past and present with the tone that it gives to the room and its objects. The light’s reflections off of the binder ring of the binder with the names of the residents in it also add a feeling of magic. It makes the room transform into a timeless place and it causes reminiscent thoughts. In this moment, the lighting is like that which might be used in a flashback scene in a film. It makes the entire world resemble an old book with its soft and yet powerful light. The light is also golden like the yellowed pages of a book. It shimmers and the shadows flicker a little bit adding to the dream-like quality and feeling of being transported to another time. The distribution of the light comes from the window behind the desk and fills up only about half of the booth where I sit at the desk. It does not touch the cool half of the booth with the exit to the outside world The lighting is reflexive, questioning time, the past, and my perception of these objects with its qualities. The lighting has a feeling of being old and looking back, a feeling of reminiscence.