Light Lab: Or, VLL has me stumped.

 

 

 

 

 

 

 

 

 

 

Okay … I don’t know WHAT I was doing wrong with the VLL software, but using it was the most frustrating and confusing thing I have ever done for school. <endrant>. I don’t think I did this right at all, but here goes:

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SPRING IN MAINE. I looked at photographs and many of them had purplish overtones from the water and from the sky (many of them also had lighthouses … oh, Maine). That created a big contrast between the orange of the rising Sun.

RE179, Full ; AP3100, 75%

 

 

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Malibu in the Fall.

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Mexico in the Summer. The cool blue from the water and the sky mixed with the hazy heat radiating off the sand.

AP4700, Full; Blue 75%, NC 25%, LH1778 75%

 

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Winter in New England. Because I was struggling with the program, I couldn’t find the right balance. I would have created more long, diagonal shows cast by bare trees.

RE130 Full; Blue Full, L746 Full, Green 20%, RE159 70%.

 

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