Drama 16 Stage Lighting

New England Sunset

I was inspired by the sunset beach photos I would take in Cape Cod. The best sunsets are in the beginning of fall.

Lights used:

1. G CC21, DS Right, full intensity, 36 degrees
2. G CC15, DS Right, full intensity
3. G CC15, DS Right, 75% intensity
4. G CC21, DS Right, full intensity
5. G CC21, US Right, 75% intensity
6. G CC21, US Right, full intensity
7. G CC26, DS Right, 75% intensity

Spring Sunrise in the Gothic Cathedral

This lighting sequence would represent the small sunlight beginning to rise through the windows of the cathedral.

Lights used:

1. G L151, DS Right, full intensity, window gobo effect, soft focus
2. G CC15, CS Right, full intensity, window gobo effect, soft focus
3. 100, US Right, full intensity, window gobo effect, soft focus
4. G L151, DS Left, full intensity, window gobo effect, soft focus
5. G CC15, CS Left, full intensity, window gobo effect, soft focus
6. 100, US Left, full intensity, window gobo effect, soft focus

Noon on a hot summer’s day in Africa

The surrounding area in Africa is very warm and hot as if the sun’s color was the temperature of the area.

Lights used:

1. G L151, DS Right, full intensity, 90 degrees
2. G CC15, CS Right, full intensity, 90 degrees
3. G CC21, US Right, full intensity, 90 degrees
4. G L151, DS Left, full intensity, 90 degrees
5. G CC15, CS Left, full intensity, 90 degrees
6. G CC21, US Left, full intensity, 90 degrees
7. 100, DS Right, 50% intensity, 90 degrees
8. 100, DS Left, 50% intensity, 90 degrees

A winter afternoon in North Dakota

For winters, there is this natural feeling where people would associate winter colors with the cold being just blue. I wanted to show more of the very light white-blue color effect during one of the aftermath of a blizzard.

Lights used:

1. G L201, DS Right, full intensity, 90 degrees
2. G L201, CS Right, 50% intensity, 90 degrees
3. G CC68, US Right, full intensity, 90 degrees
4. G L201, DS Left, full intensity, 90 degrees
5. G L201, CS Left, full intensity, 90 degrees
6. G CC68, US Left, full intensity, 90 degrees
7. 100, DS Right, 25% intensity, 90 degrees
8. 100, DS Left, 25% intensity, 90 degrees
9. G L201, US Right, 50% intensity, 90 degrees
10. G L201, US Left, 50% intensity, 90 degrees

1. A Fall sunset in New England- To evoke fall, I selected a very warm color pallette with a soft discipline. To me, fall in New England is soft and comfortable, and as such I sought to create some softer, more ambient lighting. I also heavily used the breakup gobo to indicate the concept of fallen leaves on the ground.
2. Spring sunrise in a Gothic Cathedral- For this setup, I knew that I wanted to use gobos- and I was lucky to find the Apollo glass gobos. As for the rest of the scene, I imagined the cathedral rather dark, lit dimly by ‘candelight’, represented by Chan 4, and its cool shadows tinted blue by Chan 5-6. I took a lot of inspiration from the design of La Sagrada Familia.
3. Noon on a hot Summer day in Africa- For this scene, I wanted to use warm and neutral tones with a large amount of ambient illumination without over-lighting the scene. I used a lot of top-lighting to indicate noon and to make the lights feel almost obtrusive. However, due to the lack of bounced-light within the program, I realised that I needed to add front lights to light the subject. I also put a gradient on the cyc to accentuate the “heat” from above.
4. Winter afternoon in North Dakota- My main goal was making the scene feel cold. I think back to snow and the bright light reflected off of it, resulting in the high contrast lighting seen. I also chose to follow the cultural association of blue with cold to boost the feeling.

Photo taken by me

#1/2/3/4/5: Belladonna rose, full intensity

#6/7/8: Primary blue, full intensity

I took this picture at a concert last summer, and I remember being there and thinking that the lighting was very surreal and unnatural, in a good way. The colors were so vivid and coming straight down to the audience from the stage, so it felt like I was in another world.

Reference Photo Via Pinterest

I selected this image because of the strange, almost unnatural lighting it displayed. Althought it is still on a single subject, I knew that it would prove as a challenge.

When making my diagram, I knew that I was going to utilise the cyc lights. I also planned on using ERS’s for the spots of color which break up the orange/red background.

In Light Lab, I would have made the floor and wall white to be more reflective but ran out of time.

Fixtures:

4 Cyc 100% Golden Amber

Chan 1- Top Light, Soft Focus, Light Red, 36 deg, 50%

Chan 2- Side Light Stg Left, hard focus, Golden Amber, 26 deg, 100%

Chan 4-6- Background lights, soft focus, Deep Straw, (10, 19, 26 deg), 50%

Chan 9-10- Top Light, Soft Focus, Light Red, 90 deg, 50%

photo from google and eos

Lights used:

1. SL upstage, cyan lighting, side lights, full percent
2. CS upstage, cyan lighting, CS Top Light, full percent
3. SR upstage, cyan lighting, side lights, full percent

Photo via Pinterest

Theme: Surreal

I chose this photo as surreal because it is unnatural lighting. The color combination is unusual, and putting myself in the model’s position in the image, staring directly into a light source can induce a feeling of surrealism.

For the angle/color diagram, there appears to be a front light containing an orange light with a green highlight, and a second orange spot from the upper left corner.

Deep Straw – full, front and upper left corner

Medium Blue Green – full, front

Medium Blue Green – 75, upper left corner

I used a soft focus on all four beams, 5-degree width on both Medium Blue Greens, and 14-degree width on both Deep Straws.

photo from google and eos

Lights used:

1. SL upstage, white lighting, side lights, cyc 25 percent
2. SL upstage, white lighting, side lights, cyc 25 percent
3. SL upstage, white lighting, SL top light, full percent

Lights used:

CYC: top and bottom lights, brilliant blue, intensity full

#1: Full C.T blue, intensity 95

#2: Brilliant blue, intensity 85

#3: Full C.T blue, intensity 75

Lights Used

#3 tharon Delft blue intensity 70

#4 Golden amber intensity 80

#5 Clearwater intensity 35

#6 Clearwater intensity full

#7 Clearwater intensity 70

#8 Golden amber intensity 70

#9 Golden amber intensity full

#10 Deep straw intensity 90

For my lab recreation of this ad, I used the middle overhead light with a soft focus, one side light from stage left, and one front/side light from stage left. The sidelights were hung at the second level, and all lights were set to a 26-degree range. I am uncertain whether the advertisement uses two lights from the side or not, but I chose to use two because my subject was too dark compared to the ad otherwise.