Fall Sunset in Vermont
Instruments: For the first and second moving light I used the gel R15. Additionally I used the gel R26 for the third and fourth moving light. Finally I used the gel R68 for the top Cyc lights. Across the bottom row, I used the gels R15, R21, R58, and R68.
Justification: While researching I was particularly drawn to the crimson autumn trees in combination with a warm sunset. Because of this I chose to have the sun setting upstage stage right with a warm yellow and a combination of blues and purples for the sunset. Additionally the moving lights on the proscenium act as red washes, acting as the trees near the subject.
Spring Sunrise in Gothic Cathedral
Instruments: For the top Cyc lights I used gel R069. For the bottom Cyc lights I used gels R15 and R68. For the single moving instrument I used the gel R15.
Justification: I chose to light this spring sunrise with light blues and a warm yellow to demonstrate a crisp morning. The blues lend to the breeziness as the sun rises and begins to warm the Earth.
Noon on a Hot Summer Day in Hawaii
Instruments: I used gel R68 for the top Cyc lights and R069 for the bottom Cyc lights. In each corner of the grid I used no gel on the moving lights.
Justification: When researching noon in Hawaii, it was apparent that the notable features of the lighting included the vibrant sky and the bright wash over the entire area. Because of this, I direct four instruments toward the subject providing a general wash of light and included the blue Cyc to represent the beautifully blue sky.
Winter Afternoon in North Dakota
Instruments: I alternated using gel R80 and R201 on both the top and bottom Cyc lights. In each of the top four corners of the grid I used the gel R201 on the moving lights. The fifth and sixth light use the breakup gobo and gel 201 on the moving lights.
Justification: I used blue and grey on the Cyc to mimic a dark sky clouded with snowy weather. Additionally I used grey gels and gobos shining on the subject to make it appear as if it is in a snow storm.
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