Drama 16 Stage Lighting

22 Feb. 2016 – 1:19pm – 2nd story Breslin Hall

The sun shines through a dirty window and also appears to reflect off of the bricks on the exterior of the building some. This shines a textured and patterned light on the interior wall and some grey doors of Breslin Hall. On the slightly peach-colored, off-white wall, the light looks cream, and, on the grey doors, the light looks light greenish with some blue in it.

The lighting is rough and intriguing. It displays a gobo-like pattern on an ordinary surrounding; thus, making the setting endowed with a theatrical magic. No longer are the objects just a wall and some doors; they are gritty like sand and mysterious like ocean waves with splashes of whitish foam and deeper colors. The lighting harkens to the beach with its reflected greenish and cream colors. The wall and doors are foreign objects in a bland classroom building setting with this lighting softly expanding across it. A breath filled with the smell of the ocean and dampness of water can be felt and imagined through this lighting. The lighting is transporting, alluring to the eye, and soothing with its gentle contrast between the light and shapes created by its false gobo.

This photo is from the blog TheLiontheWitchandtheWardrobeMalfuctioned.wordpress.com, which took it in turn from the motion picture Pan’s Labyrinth.

The theme is cold, and the lighting is cold in this still image.

The lighting spreads a cool blue wash over the scene which gives a feeling of coldness to the beholder. It is like an ocean’s wave’s tears have gone and made themselves at home in the scene, but the tear drops do not fall everywhere. They leave some shadow to contrast the hue of the watery lighting. Due to their hue, soft illumination, and saturation, the wave’s tears, the lighting, might actually subconsciously induce feelings of cold. The lighting contains such a gloomy cold feeling that it touches the mind and instinctively prepares it for darker emotions like those that one might feel after watching someone suffer. The feelings of the lighting are sad, cold, and isolated. This lighting would fit well with a scene of someone stranded in the tundra. It is so cold that it can be seen as being devoid of the warm sunny day and something of the cold, dark night.