Four Seasons – Lee Moore
Fall Sunset in Vermont
Backdrop:
Top- R83-25%, L713-25%, L119-25%, 67/95-25%
Bottom- R2003-25%, G250-25%, R2008-25%, RE179-25%
Top Light:
G350 – 100%, 37° elevation angle, 56° side angle
LHT713 – 25%, 37° elevation angle, 56° back angle
L071 – 25%, 54° elevation angle, direct back light
L120 – 25%, 37° elevation angle, 56° back angle
G410 – 100%, 37° elevation angle, 56° side a
Stage Left Side Light
AP7450 – 50%, -19° elevation angle, 56° back angle
G170 – 100%, -23° elevation angle
L106 – 100%, -19° elevation angle, 56° side angle
Stage Right Side Light
AP8730 – 100%, 27° elevation angle
L020 – 100%, -19° elevation angle, 56° back angle
L027 – 100%, -23° elevation angle
L024 – 100%, -19° elevation angle, 56° side angle
This sunset is the dark blurple of night sky as it fades gently into the fiery leaves of fall in Vermont, with the last bright glow of yellow sun highlighting the downstage woman before it disappears, leaving only starlight and the harvest moon behind.
Easter Sunrise in a Gothic Cathedral
Backdrop:
Top- AP2310 – 25%, RE209 – 25%, 0/0 – 75%, RE122 – 25%
Bottom- G1518 – 25%, L299 – 25%, G855 – 75%, RE090 – 25%
Top Light:
R4730 – 25%, 48° elevation angle, 37° side angle, with template
G170 – 50%, 54° elevation angle, direct backlight, with template
R34 – 25%, 48° elevation angle, 37° side angle
R4560 – 50%, 42° elevation angle, 48° side angle, with template
Stage Left Side Light:
G103 – 100%, 37 ° elevation angle
AP3600 – 100%, 32° elevation angle, 56° side angle
Stage Right Side Light:
AP3400 – 100%, 32° elevation angle, 56° side angle
AP8730 – 50%, 37° elevation angle, with template
The first rays of sun as they cross through old rose windows leave gothic cathedrals lit in lavender and forget me not, with elaborate patterns reflected on the floor and pews from the myriad of picture lines all across each window. The hope of new life, written all over the faces of the believers, in tiny triangles of pink and gold.
Noon on a Hot Summer Day in the Caribbean
Backdrop:
Top: G835 – 50%, G780 – 25%, G848 – 50%, AP4350 – 50%
Bottom: AP4900 – 75%, AP4650 – 75%, AP5600 – 75%, RE090 – 75%
Top Light:
LHT010 – 50%, 37° elevation angle, 56° side angle
NC – 50%, 42° elevation angle, 48° side angle
AP6400 – 50%, 61° elevation angle
R13 – 100%, 54° elevation angle
AP6200 – 50%, 61° elevation angle
R96 – 50%, 37° elevation angle, 56° side angle
Stage Left Side Light:
R369 – 50%, 23° elevation angle, 56° side angle
NC – 50%, 0° elevation angle
Stage Right Side Light:
R376 – 50%, 23° elevation angle, 56° side angle
NC – 50%, 0° elevation angle
The Caribbean is perfect, bright bright blues over sea green water, with nothing but the hot sun to separate the two, it is all blindingly saturated color, that seems to bake right through your skin and turn your insides to sunshine.
Winter Afternoon
Backdrop:
Top – AP2320 – 50%, G780 – 25%, G848 – 50%, AP2330 – 50%
Bottom – G107 – 75%, G108 – 75%, G109 – 75%, G155 – 75%
Top Light:
AP2330 – 100%, 75° elevation angle
NC – 100%, 54° elevation angle, direct back light
G888 – 100%, 75° elevation angle
G880 – 100%, 42° elevation angle, 48° side angle
Stage Left Side Lights :
AP2330 – 100%, 32° elevation angle, 56° side angle
Stage Right Side Light:
NC – 100%, 32° elevation angle, 56° side angle
People seem to think of winter as so grey and dark, when in reality is is just as bright sun as summer, just with a cooler tone. All of the sunlight feels white, brisk, against a sky that hasn’t quite figured out how to be blue, and as the snow begins to fall, the blanket it creates leaves the world feeling warm and pink-cheeked
You must be logged in to post a comment.