Four Seasons – Lee Moore

Fall Sunset in Vermont

 

 

 

 

 

 

Backdrop:

Top- R83-25%, L713-25%, L119-25%, 67/95-25%

Bottom- R2003-25%, G250-25%, R2008-25%, RE179-25%

 

Top Light:

G350 – 100%, 37° elevation angle, 56°  side angle

LHT713 – 25%, 37° elevation angle, 56° back angle

L071 – 25%, 54°  elevation angle, direct back light

L120 – 25%, 37° elevation angle, 56° back angle

G410 – 100%, 37° elevation angle, 56° side a

 

Stage Left Side Light

AP7450 – 50%, -19° elevation angle, 56° back angle

G170 – 100%,  -23° elevation angle

L106 – 100%, -19° elevation angle, 56° side angle

 

Stage Right Side Light

AP8730 – 100%, 27° elevation angle

L020 – 100%,  -19° elevation angle, 56° back angle

L027 – 100%, -23° elevation angle

L024 – 100%, -19° elevation angle, 56° side angle

 

This sunset is the dark blurple of night sky as it fades gently into the fiery leaves of fall in Vermont, with the last bright glow of yellow sun highlighting the downstage woman before it disappears, leaving only starlight and the harvest moon behind.

 

Easter Sunrise in a Gothic Cathedral

 

 

 

 

 

Backdrop:

Top- AP2310 – 25%, RE209 – 25%, 0/0 – 75%, RE122 – 25%

Bottom- G1518 – 25%, L299 – 25%, G855 – 75%, RE090 – 25%

 

Top Light:

R4730 – 25%, 48° elevation angle, 37° side angle, with template

G170 – 50%, 54° elevation angle, direct backlight, with template

R34 – 25%, 48° elevation angle, 37° side angle

R4560 – 50%, 42° elevation angle, 48° side angle, with template

 

Stage Left Side Light:

G103 – 100%, 37 ° elevation angle

AP3600 – 100%, 32° elevation angle, 56° side angle

 

Stage Right Side Light:

AP3400 – 100%, 32° elevation angle, 56° side angle

AP8730 – 50%,  37° elevation angle, with template

The first rays of sun as they cross through old rose windows leave gothic cathedrals lit in lavender and forget me not, with elaborate patterns reflected on the floor and pews from the myriad of picture lines all across each window. The hope of new life, written all over the faces of the believers, in tiny triangles of pink and gold.

 

Noon on a Hot Summer Day in the Caribbean

 

 

 

 

 

Backdrop:

Top:  G835 – 50%, G780 – 25%, G848 – 50%, AP4350 – 50%

Bottom: AP4900 – 75%, AP4650 – 75%, AP5600 – 75%, RE090 – 75%

 

Top Light:

LHT010 – 50%,  37° elevation angle, 56° side angle

NC – 50%, 42° elevation angle, 48° side angle

AP6400 – 50%, 61° elevation angle

R13 – 100%, 54° elevation angle

AP6200 – 50%, 61° elevation angle

R96 – 50%, 37° elevation angle, 56° side angle

 

Stage Left Side Light:

R369 – 50%, 23° elevation angle, 56° side angle

NC – 50%, 0° elevation angle

 

Stage Right Side Light:

R376 – 50%, 23° elevation angle, 56° side angle

NC – 50%, 0° elevation angle

 

The Caribbean is perfect, bright bright blues over sea green water, with nothing but the hot sun to separate the two, it is all blindingly saturated color, that seems to bake right through your skin and turn your insides to sunshine.

Winter Afternoon

 

 

 

 

 

Backdrop:

Top – AP2320 – 50%, G780 – 25%, G848 – 50%, AP2330 – 50%

Bottom –  G107 – 75%, G108 – 75%, G109 – 75%, G155 – 75%

 

Top Light:

AP2330 – 100%, 75° elevation angle

NC – 100%, 54° elevation angle, direct back light

G888 – 100%, 75° elevation angle

G880 – 100%,  42° elevation angle, 48° side angle

 

Stage Left Side Lights :

AP2330 – 100%, 32° elevation angle, 56° side angle

 

Stage Right Side Light:

NC – 100%,  32° elevation angle, 56° side angle

 

People seem to think of winter as so grey and dark, when in reality is is just as bright sun as summer, just with a cooler tone. All of the sunlight feels white, brisk, against a sky that hasn’t quite figured out how to be blue, and as the snow begins to fall, the blanket it creates leaves the world feeling warm and pink-cheeked