2 attempts, and 4 seasons later (or, Jesse begins to figure out VLL)

Mexico

Summer in Mexico. Since the description was “hot,” I settled for a picture of the desert instead of a romanticized Mexican beach, which would have very cool elements due to the ocean.

L102: 48 deg. elevation, 37 deg. side, 17′ above, 6′ SR, 8′ DS, 15′ throw
L102: 52 deg. elevation, 21 deg. side, 17′ above, 3′ SR, 8′ DS, 14′ throw

L102 Full, NC Full

 

 

Maine sunrise

Maine sunrise. Love the way the Sun is hitting the model, it looks like a redemptive morning, but also dangerous because (as the old adage goes) “pink sky in morning, sailors take warning.”

G995, 50%. 0 deg. elevation, 56 deg. side, 6′ above, 12′ SR, 8′ DS, 14′ throw
AP6300 Full: o deg. elevation, 6′ above, 12′ SR, Direct Sidelight, 12′ throw

AP7450 Full, L102 Full, G995 Full

 

 

 

 

Malibu

 

Malibu sunset. In contrast to the Mexico one, I wanted to make this feel not too hot. A nice, comfortably warm night when these two lovebirds could enjoy each other’s company without needing to turn the AC on full blast. The purple tones at the bottom suggest a nice, balanced temperature.

AP 6800 FULL, 52 deg elevation, 21 deg. back, 17′ above, 3′ SR, 8′ US, 14′ throw

AP7350 Full, Blue 25%, R15 25%

 

 

 

winter

 

New England winter. This was a tricky one. I don’t quite think I got the balance right, or the angle for the light to hit the model, no matter what positioning I experimented with. Having experienced a lifetime of New England winters I recognize this washed-out, greyish color with brown and blue undertones, but not having shadows from bare tree branches in there feels

AP2080 – 52 deg. elevation, 21 deg. side, 17′ above, 3′ SL, 8′ DS, 14′ throw
AP2080 – 48 deg. elev, 37 deg. side, 17′ above, 6′ SL, 8′ DS, 15′ throw

AP 2220 75%, Ap2310 (Full)

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Lava Lamp Light Observation

Location: My Room

Time: 4/17/15, 1 AM

I turn my lava lamp on before I go to bed some nights. I don’t usually like when the room is pitch black when I sleep but I don’t want regular lamps on either because they’re too bright. The blue and green light within the lava lamp are perfectly dim and create a cool ambiance that relaxes me. Normally I only use it after a hard day when I need to relax. I put on soft acoustic music to complete the atmosphere. All that’s really illuminated is a small circle of space around the lamp. The rest of the room catches the slightest bit of a blue glow. It’s perfect for falling asleep.

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Photo Observation: Amusement

IMG_2880

Source: Me

This is from one of my first trips to the city. The sheer amount of light and color simultaneously overwhelmed me and filled me with wonder. It’s almost blinding to look at in the photo because all the bright lights are reflecting off all the surfaces. This is a busy and crowded environment that screams entertainment and life. Even if you’re not doing anything in particular, the stimuli alone is enough to amuse. Looking at this picture, it’s easy to imagine how everything on the ground moved even after the snapshot was taken.

weirdestlightplotever

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Photo Observation 9

IMG_7201

Source: My own photo

Amusement

This is an outing to our local Applebee’s with my friends over the spring break. Of course I have positive associations with it because it was a trip I took for my own amusement, but I think the lighting also reflects the photo theme well. The  mix of blue, white, and red lighting gives the setting some fun variety. I think there’s also something about being able to see the source of the lighting that reinforces a feeling of amusement. Think of carnivals and clubs. I work at an arcade, which I considered using a photo from, and the many lights there draw people in and make the place feel like a place for entertainment and amusement.

ke1

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Light Observation 15

1) April 16, ~11:00PM, by Constitution

2) Several white lampposts

3) This will catch me up on lighting moments.

I was walking back from the Hammer Lab after doing my light lab project and still had lighting on the brain. Because the weather has been nicer, I was able to observe my surrounding during my walk rather than protecting my face from the elements, be it rain, snow, or wind. I noticed that the lamps on the lampposts were particularly white, and they seemed somehow shorter or closer to me than usual. Although the elevation on campus is varied, I felt like the lights existed on their own plane. It felt strangely like I was observing a fairy world, where all the lights were laughing little fairy houses in the wilderness.

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Light Observation 14

1) April 10, ~10:00PM, my neighbor’s yard

2) The shadow of my neighbor’s tree

3) I’m almost done with lighting moments, I swear.

I was watching my dog in the yard at night and I had a clear view of my neighbor’s hose which sits on a hill slightly above me. She has a light on the side of her house by her garage which gives off a bright yellow light. The light was hitting a tree which has been there for ages, and the shadow stretched almost all the way down to the bottom of the hill. The light was the classic artificial yellow vs. natural blue which is pretty central to all my lighting moments, but the blue shadow of the tree was a new one for me. I felt like it was moving, rolling down the hill in some way which gave a little life to the night.

 

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Light Observation 13

1) April 6, ~8:00PM, my (other) grandma’s house

2) Their porch light vs. the natural light

3) I live next door to my grandparents–not the grandma from the previous light observation. I was walking down the hill to their house when I noticed that their was a nice contrast between their porch light and the blue almost-night sky. The moon was still decently sized to give off light and it was reaching night but it wasn’t completely dark, so everything was visible, but washed in blue. Their porch light is old and very yellow, and they have a white lattice directly by their door. The light from the porch lamp was hitting their porch, the face of their house, and the lattice and part of the rose bush which sticks through the lattice. It was interesting to see the lattice and rose bush block the yellow light from the rest of their garden. It felt like looking at a person with a hand to the side of their face, telling a secret that the night didn’t know.

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Light Observation 12

1) April 4, ~7:30PM, my backyard

2) A suburb and a town in the distance

3) My house is at the top of a mountain, so from my backyard I can see other hills. I was walking my dog when I stopped and noticed that this was a rare time of the year. Because the weather had only recently warmed up, the buds on the trees below my backyard had not come out yet (it’s a hill–the trees are a woodsy area lower on the hill, it’s a difficult visual to explain), but the sunsets were happening at a much later time, so I could see the next hills in the distance pretty clearly in the light. There was a stunning sunset developing, and on top of that I could see a small suburb on the hill next to us (it’s really just one street–again, hard to visualize) and the town behind it, which already had the streetlamps on and all the shopping centers had their neon signs lit up. I felt like there was movement, like I was being drawn backyard from the action.

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Light Observation 11

1) April 2, 10:33PM, my grandmother’s house

2) Night sky in rural central PA

3) I have a lot of great lighting moments from home, which is good because I have some catching up to do.

Hilariously, the first thing I noticed when I got out of the car in PA was the lighting. The weather was fantastic and it was a full moon. Because it’s a rural area, the full moon is the primary source of light and there are plenty of visible stars. I was at my grandmother’s house. She lives in a valley in the middle of nowhere–her neighbors are very far away from her house. The only artificial light in the immediate area was coming from her house and the car lights. I ran out to the middle of the front yard to catch the picture below, but my iPhone camera doesn’t do justice to the real thing. The feeling when I get when I see a scene like this is very peaceful, homey, and sleepy. It probably looks creepy to other people, but I associate this kind of darkness and solitude, this house out in the open, with being home. I feel  like the light from her house is a warm welcome, it’s inviting, and being all by itself in such a vast place, it’s like a beacon.

IMG_7132

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VLL Four Seasons

Fall Sunset in Malibu

fallinmalibu

I feel this image is a good representation of a Fall sunset in a sunny place like Malibu. The dramatic sidelight gives the model a long shadow, indicating the end of the day. The purples in the backdrop give the moment the “tropical” feel of Malibu, but still contains the greenish color of a Fall sunset.

CYC
Above: G730 at 75%, G985 FULL
Below: L124 at 75% G290 at 10%, L026 FULL

MODEL
AP7200 FULL
37 degree elevation angle
56 degree side angle
In the light lab:
17 feet above the deck
12 feet stage right of model
8 feet downstage of model
18 foot throw

AP5600 at 50%
32 degree elevation angle
56 degree side angle
In the light lab:
15 feet above the deck
12 feet stage right of the model
8 feet downstage of model
17 foot throw

G950 at 35%
52 degree elevation angle
21 degree side angle
In the light lab:
17 feet above the deck
3 feet stage left of model
8 feet downstage of model
14 foot throw

Spring Sunrise in Maine

springinmaine

I think of re-imagining of The Seagull set in Maine when I look at this picture. Lucy and Ray are two characters on a patio by the shore. The yellow sidelight represents the inside light spilling from a screen door, because it is not quite bright enough to turn the houselights off. Those yellow lights contrast with the cool blue and pink colors of the rising sun. The peachy colors chase away the dull turquoise blue, and the mix between them is a greyish-green which softens the sunrise and tells us that this is going to be a gentle and easy day.

CYC
Above: G790 FULL
Below: G268 FULL, G250 at 50%

MODEL (both models)
AP8550 FULL
27 degree elevation angle
In the light lab:
12 feet above the deck
12 feet stage rigt of model
Direct sidelight to model
13 foot throw

AP4630 FULL
75 degree elevation angle
In the light lab:
17 feet above the deck
3 feet stage right of model
Direct sidelight to model
11 foot throw

AP7150 FULL
23 degree elevation angle
56 degree seide angle
In the light lab:
12 feet above the deck
12 feet stage left of model
8 feet downstage of model
16 foot throw

Summer at Noon in Mexico

nooninmexico

The backdrop in this design is a representation of a bright, blinding Mexico sky. The turquoise-white color at the bottom of the blackdrop gives us the feeling of the sand and ocean. The lighting is bright and mostly above the model, because the sun at high noon is directly above as, and the top light is not likely to cast a dramatic shadow. I imagine that in this scene Ray is on some sort of high-speed adventure or treasure hunt through a tourist trap part of Mexico.

CYC
Above: G850 FULL, G770 at 50%, G725 at 25%
Below: G785 FULL, G860 at 50%, G770 at 50%

MODEL
L013 FULL
32 degree elevation angle
56 degree back angle
In the light lab:
15 feet above the deck
12 feet stage right of model
8 feet upstage of model
17 foot throw

NC FULL
35 degree elevation angle
direct back light
In the light lab:
17 feet above the deck
Centered on model
16 feet downstage of model
19 foot throw

L007 at 75%
90 degree elevation angle
In the light lab:
17 feet above the deck
Centered on model
Direct downlight on model
11 foot throw

Winter Afternoon in New England

winterinnewengland

The backdrop in this photo suggests that the winter day had been mostly white, as winter skies tend to be in the Northeast, but is clearing up as the day ends. There is yellowish light on the model so she is not washed out in the blue of the backdrop, and the warm yellow light indicates it is a later time of day. There is purple sidelight on the model which gives color to a white winter day.

CYC
Above: L174 FULL, G889 at 75%
Below: G920 FULL, G872 FULL

MODEL
AP6600 FULL
33 degree elevation angle
21 degree side angle
In the light lab:
17 feet above the deck
6 feet stage right of model
16 feet downstage of model
20 foot throw

AP4800 at 50%
52 degree elevation angle
21 degree side angle
In the light lab:
17 feet above the deck
3 feet stage right of model
8 feet downstage of model
14 foot throw

AP3150 at 50%
37 degree elevation angle
56 degree back angle
In the light lab:
17 feet above the deck
12 feet stage left of model
8 feet upstage of model
18 foot throw

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